This is day #4 of my week-long “mini-series” of posts where I mull over my 2013 writing expenses and share my thoughts. New writers, feel free to ask questions! Seasoned writers, your take on these topics is always appreciated. Readers, these posts give you a peek at what many authors do behind the scenes to support their work. There are questions for everyone at the end.
Our favorite topic! In 2013, I bought about 25 books (this doesn’t include my books; this expense category represents the amount of money I spent on other people’s books – about 6% of my total expenses).
What kinds of books did I buy? Fantasy, romance, historical, mystery, new adult, young adult, general literature, anthologies, and some non-fiction. I bought hardbacks, trade paperback, mass market paperback, and electronic versions. I paid $0.99 for some to over $25.00 for others (not many). I bought them from Amazon, Barnes & Noble, and my local independent bookstore.
Did I read them all? I wish! I’ve mentioned before that one of the downsides of becoming a published author was a decrease in personal reading. That hasn’t really changed for me since I first groaned about it, although I have been able to binge read from time to time and I’m trying to get better about carving out more consistent reading time into my schedule.
LESSONS? This is the first year I’ve tracked this as a business expense. (To be clear, I’m not saying that this is a deductible expense – or that any of these expenses are. That’s for you and your tax adviser to figure out.) Could I cut back? Absolutely. Will I? Ha! I doubt it. I like supporting other authors, booksellers, and books in general by buying books. Sometimes, I feel guilty I don’t buy MORE. It’s wise for authors to read as widely as they can, to keep up with the market, to know what’s being published, and to know the quality of work that your peers are putting out. And all writers started as pure unadulterated readers. Books => bliss!
So instead of finding a way to cut this expense, I’d settle for finding a faster way to get through my TBR pile.
There are all sorts of writer’s groups out there: big ones, little ones, informal kitchen table-type ones, and ones with bylaws, elections, national conventions, etc. Some writers will say you don’t need a writer’s group – and, of course, you don’t – but I think they’re worth the investment. For the record, the amount I paid for writer’s group membership fees came in at #9 out of #10 on my list of Top Ten Writing Expenses, which represents about 4%. Too high? Maybe. And, truth be told, this is an expense I carefully consider every year.
I belong to two main writer’s groups: Romance Writers of America (RWA) and Science Fiction and Fantasy Writers of America (SFWA). They are both nationally organized, well-funded, and have vast caches of institutional knowledge.
RWA was founded in 1980 and has more than 10,000 members and almost 150 chapters. They allow both published and unpublished members to join. They host a national convention every year where their highest award, the Rita, is presented to winners in various categories.
SFWA was founded in 1965. To become an active member, you must be published, but unpublished authors can benefit from their Writer Beware site. They host the Nebula Awards and have about 1,800 members.
Both RWA and SFWA have had “controversial moments.” (I leave you to your internet searches. I don’t want to rehash; I only want to acknowledge that the groups aren’t perfect). Each has caused me, from time to time, to question whether I still want to be a member. And yet, year after year, I re-up. Why?
Because the writers I interact with – many of whom I’ve met through these groups – are, for the most part, wonderful. Writing is a lonely business. I used to work in an office. I had colleagues, an assistant, and clients. I talked to people all the time. I was on the phone, in meetings, chatting in hallways and other people’s offices. I was having lunch. And then I became a writer, which I love. But I’m no longer talking to people all the time. It’s a quieter business, ya know?😀 So I like having a group I can turn to if I have a question, need advice, or simply want to say hi.
There are other benefits to being in a large writer’s group, such as advocacy (both on a group and individual level) and early access to industry news. But each writer has to decide for themselves if the cost of membership in these groups is a good trade for the benefits they might receive. My hope is that big, institutional writers groups like RWA and SFWA will evolve in positive directions as the publishing climate continues to change and the myriad ways in which writers can connect and receive information continues to grow.
LESSONS? MANY. But no change here.
So those are my thoughts on books and writer’s groups. Now, I’d love to hear from you! Answer any! Answer all!
Do you try to diversify your book buying habits so that you purchase books from a variety of different sellers or do you prefer to do your shopping in one main place?
Do you like a variety of formats (hard cover, trade paperback, mass market, digital) or do you prefer one over all others?
Do you buy more books than you read? Does that make you happy or sad?
Have any fun or quirky advice on how to plough through a TBR pile and/or add more reading time to an already packed schedule?
Writers, which groups do you belong to? Which groups would you belong to if cost or membership eligibility weren’t an issue? What are some of the benefits you expect from a writer’s group in return for your membership dues?
Readers, had you ever heard of RWA or SFWA before this post? How about the Rita or the Nebula? Does the fact that a book won a major award make it more likely that you’ll buy it?
Thanks, everyone! I’ve really enjoyed reading commenters’ contributions so far.
Tomorrow I discuss… Everything Else!😀