Has anyone watched SPRING yet? The 2014 horror, sci-fi, romance flick directed by Aaron Moorhead and Justin Benson and staring Nadia Hilker and Lou Taylor Pucci? (It’s not rated, but I’d put it squarely in the rated “R” category.) I saw it last week and have been thinking about it on and off since. If you’ve seen it and want to discuss, read on! If you haven’t, be aware – big spoilers below!!
The woman who cuts my hair recommended this to me. I’ve been going to her for years and we talk about movies all the time. We have similar tastes and she watches as many movies as I do. So it’s always fun to catch up and swap recs. I have to say, the day we discussed this one was pretty funny. The backdrop was this semi-swanky hair salon and there we were, me in the chair, her chopping away behind me, talking about blood and tentacles and syringes and killings and body transformations… and it seemed like every head in the room turned our way. I couldn’t figure out if they thought we were insane or just wanted to watch the movie too.
As some of you know, I’m actually not a huge horror fan. I prefer supernatural thrillers, psychological suspense, and/or dark fantasy to straight up horror but, occasionally, I’ll watch something with a twist (The Cabin in the Woods comes to mind). So I was wary when my hairdresser first recommended Spring. After hearing all the gory details, I asked her:
Does it have a happy ending?
Yep, I’m a wimp sometimes and I just wanted to know what I might be getting myself into. She was reluctant to spoil it for me but finally said, “Yes.” And her answer is what convinced me to watch it and why I’m passing this info on. Romance fans who like dark stories, this one’s for you. Bonus: horror fans will not be disappointed either (but don’t tell them the ending ;-) Half the fun for horror fans will likely be trying to figure out whether the guy will end up the girl’s victim in some sort of gruesome black widow scenario).
Why did I like it?
I loved that it successfully blended two near-opposite genres. Combining horror and romance is really difficult. Romances are about bringing two people together. They are about human connections, closeness, emotions, warmth, and love. Horror is about frightening the crap out of the audience. You know someone’s gonna die and it might even be the MC.
Ok, so what’s it about?
The movie opens with Evan losing his mother. It’s a really sad scene. Tough to watch, but it immediately establishes his capacity to love and be there for those he loves. Grief-stricken, he decides to travel and round-aboutly makes his way to Italy where he meets a mysterious, beautiful woman – Louise. The rest of the movie centers on their developing relationship, which is massively complicated by who and what she is.
What you may not like about it
FlickFilosopher wrote a review that points out that, in order to get to the happy ending, Louise had to give up her immortality and change who she was. The reviewer’s point was that, not only was Evan not worth Louise’s sacrifice, but why should the girl always have to change to get the guy?
It was an interesting point and one that caught my attention. (Obviously, the stories are different, but in my first novel, Noon also struggled with who and what she was. Ultimately, she decided not to change.)
For me, however, Louise’s change and sacrifice worked. Why? Three reasons.
First, I thought Evan might be someone who was worth that kind of sacrifice. Hey, it’s a movie. The filmmakers only get two hours for audiences to fall in love with their characters. They showed me enough of Evan’s character for me to fill in the gaps. He had potential as an awesome beau even if we didn’t see all of it. His devotion to his mom and his interactions with the other characters (the two buddies he traveled with for a while and the old widowed farmer he worked for) gave us hints that he was someone who, despite being at a very dark point in his life, was still going to approach the world with openness and warmth.
Second, he loved Louise enough to die for her. Yes, he fell in love quickly but, man, once he was in, he was all in. When he found Louise mid-shift in her apartment looking deadly and terrifying, he didn’t run. Nope, he bashed down the door and found a way to help her. And, at the very end, when Louise kept telling him she was probably going to kill him – that she didn’t love him and that, for his own sake, he should get the hell out of dodge – he didn’t. He never left her. He was willing to risk her killing him if it meant having a chance at a life with her.
Third, there were hints that Louise was sick and tired of that immortality b.s. Is it really all it’s cracked up to be? Sounds pretty lonely to me. And Louise’s rebirths every twenty years sounded awful. If she was fully embracing who and what she was, she wouldn’t have been carrying around all those syringes to stop the transformations. Nope, she was ready for it to be done.
Have you seen SPRING? What did you think?
[Am I back to blogging? No. Not really. I may share my thoughts on stuff from time to time here, but for now, I’m still focused on my WIP. So I’m heading back to my writing cave. NaNoers – soldier on!!! Wishing you – and me – high word counts for today! :-D ]